



Speed-light shots are interesting because it’s like a reminder that you don’t always need a raw light. The first photo at the top is when you have the flash towards the object of focus, while the second photo is when the light is straight up, bouncing off the ceiling. The direction of the flash is important since it makes such a huge difference. The third photo is when I used the white bounce-car, allowing the light to reflect off and create another version of the photo. Lastly, the fourth photo is when the built in diffuser cap is on and creates a bright light for the object.