Leading lines are very important in composition, and help draw the focus of the viewer to a specific location in the frame. To show the concept of infinity in a photo, the leading lines need to either extend forever into the distance or off of the frame itself, seemingly endlessly. I decided on the former and drew heavy inspiration from what I’ve learned about one-point linear perspective.
I set up this composition in the very same way one would set up a perspective drawing: the front faces of the objects being perfectly rectangular, with their sides adhering to a common vanishing point. The lines that these sides create lead the eyes to a single point at the end of the path.
I wish I could’ve done more with this concept, but I think I did well given the circumstances.